REVIEW: Meow Meow’s Little Mermaid | PIAF 2016

  Perth’s love affair with Meow Meow began when she blew into town for the first ‘official’ Fringe World in 2012, gracing the Spiegeltent with her unpredictable whims, her buxom assets and luxurious vocals. She’s been back to Perth once or twice since then, but has mostly been jetsetting around the globe, playing with the most famous orchestras in the most hallowed halls. And now she returns to our glitzy capital city as a veritable cat empress with her latest tour de feline force, Meow Meow’s Little Mermaid. A PIAF co-commission with Malthouse Theatre and Sydney Festival, Meow Meow’s take on the Hans Christian Andersen … Continue reading REVIEW: Meow Meow’s Little Mermaid | PIAF 2016

REVIEW: No Guts, No Heart, No Glory | Common Wealth | PIAF 2016

Queen Street Gym is playing host to a different kind of crowd this week, as PIAF and UK theatre-makers Common Wealth take over their ring and punching bags with the in-your-face boxing performance No Guts, No Heart, No Glory. Five young Muslim women have decided for various reasons to take up boxing, and the show explores the conflicts and glories that arise from this unorthodox choice. Written by London-based writer Aisha Zia, developed with five 16–23 year-old Muslim women and the former UK national champion Ambreen Sadiq, No Guts, No Heart, No Glory is a powerful look at the point where culture, religion, society and … Continue reading REVIEW: No Guts, No Heart, No Glory | Common Wealth | PIAF 2016

REVIEW: Blackmarket | pvi collective | PIAF 2016

This won’t be your typical review, because pvi collective‘s Blackmarket isn’t your typical show. It’s not a show at all, it’s a happening. Set in the streets of Subiaco, participants are invited to play a game of survival. Don’t worry, it’s not The Hunger Games, no one is at risk of being bumped off by their fellow players, and though pvi might be watching you, tracking your progress, and possibly filming you, you’re not going to be subjected to a million people baying for your blood or anyone else’s. Blackmarket is an immersive, intimate, highly self-directed street theatre experience. I’ll walk … Continue reading REVIEW: Blackmarket | pvi collective | PIAF 2016

REVIEW: THE END OF THE TOUR | LOTTERYWEST FESTIVAL FILMS

The End of the Tour, directed by James Ponsoldt and written by the Pulitzer Prize-winning Donald Margulies, is a fictionalised version of the meeting of minds between writers David Lipsky and David Foster Wallace. The film is based on Lipsky’s book Although of Course You End Up Becoming Yourself. Wallace is best known – and revered – for his second novel Infinite Jest, which comes in at over 1,000 pages and about 1.5 kilos. It’s no ordinary man who writes such an opus, and Wallace is a character indeed. This is his first ever film treatment, and Jason Segel does … Continue reading REVIEW: THE END OF THE TOUR | LOTTERYWEST FESTIVAL FILMS

REVIEW: The Ballad of Frank Allen | Asian Ghost-ery Store

Summer Nights has ended on a high note for Perth Arts Live as we review two laugh-out-loud comedies finishing up in this weekend’s final fringe festivities: Weeping Spoon Productions‘ The Ballad of Frank Allen and Only the Human’s Asian Ghost-ery Store.     The Ballad of Frank Allen | Weeping Spoon Productions Oh for the love of beards. Beards beards beards. Everywhere you turn these days you see beards. And now this. A comedy about a little man living in another man’s beard. WHAT?! Talk about zeitgeisty. Writer/director/performer Shane Adamczak’s meta-hipster romp is a thoroughly ridiculous and completely endearing look at love … Continue reading REVIEW: The Ballad of Frank Allen | Asian Ghost-ery Store

REVIEW: The Tiger Lillies Perform Hamlet | PIAF 2016

Sin. Sin. Sin. Hamlet is full of sin. So say The Tiger Lillies and Theatre Republique in their macabre spectacle, The Tiger Lillies Perform Hamlet. It’s opened this week in the recently spruced-up Regal Theatre and is sure to be a favourite of PIAF 2016’s program. This topsy-turvy adaptation of Shakespeare’s Danish royal bloodbath by director/set designer Martin Tulinius, Tiger Lillies musician Martyn Jacques and Theatre Republique founder Hans Christian Gimbel is a treat for the senses. There are deathly painted faces, black and white clown costumes by Astrid Lynge Ottosen, bizarre instruments, a tilting tilt wall, and performers suspended by ropes. Most of Shakespeare’s dialogue (with the exception … Continue reading REVIEW: The Tiger Lillies Perform Hamlet | PIAF 2016

REVIEW: Blue Cow | The War on Food

By some quirky coincidence, we’ve found ourselves having a Two For Tuesday with two shows that have themes involving contamination in one way or another. Alice Mary Cooper’s Blue Cow at The Blue Room “explores what it means to be contaminated,” while The Cutting Room Floor’s War on Food features a plot line about produce being contaminated to control the market. Let’s take a closer look at both. Blue Cow | Alice Mary Cooper After a very successful visit to Fringe World last year with her solo show Waves, Alice Mary Cooper returns with another solo show, Blue Cow, this time setting up shop in The Blue … Continue reading REVIEW: Blue Cow | The War on Food

REVIEW: Piece for Person and Ghetto Blaster | Nicola Gunn | Sans Hotel

  I love it when performance artists build a workout into their art performance. Not only do I get to admire them for putting their ideas in front of an audience, but I also get to admire their physical strength and stamina, and their ability to vocally project even while huffing and puffing. And I also really like that they’ve found a clever way to kill two birds with one stone during a time when workout routines usually fall by the wayside (during production). Okay, so Nicola Gunn‘s Piece for Person and Ghetto Blaster isn’t really a ‘workout’; I’ve probably oversimplified things in … Continue reading REVIEW: Piece for Person and Ghetto Blaster | Nicola Gunn | Sans Hotel

REVIEW: Refuse the Hour | PIAF 2016

  Perth International Arts Festival‘s opening weekend will be hard to top, with Refuse the Hour setting the precedent. The bar is now set extremely high, but if this production is any indication of things to come, we’re in for a spectacular season of performance at PIAF. As with other works from Kentridge, it’s heavily multi-media, with video and animation (by Kentridge and Catherine Meyburgh) that both accompanies the action and has its own internal narrative. It’s also opera. It’s also dance. And it’s also science, history and politics. There is so much at work in this piece, so many elements coming together, so … Continue reading REVIEW: Refuse the Hour | PIAF 2016

REVIEW: My Best Dead Friend | Experience and the Girl

It’s ladies night! I won’t say I was getting tired of one-man shows, but…I was really ready for some strong female voices to come at me after a spate of male ones. Granted, there has been excellent representation of female voices and visions in the shows I’ve seen this Fringe: there was TCRF’s Inside We Hide, which was written by a woman and performed by two more fierce women; there was The Open Lid Ensemble’s Halina that was all-female except for the musician, On the Face of Things was written by a woman, Awkward Con-Nections was choreographed mostly by women (if I’m not … Continue reading REVIEW: My Best Dead Friend | Experience and the Girl